Minstrel Mondays #5

Across the vein of night
There cuts a path of searing light,
Burning like a beacon
At the edges of our sights.
At the point of total darkness
And the light’s divine divide,
We can let our shadow stretch (Correction: A soul can let its shadow stretch)
And land on either side. Either side.

Balanced on the precipice,
The moment must reveal,
Naked in the face of time,
Our race within the wheel.
We hang beneath the heavens
And we hover over Hell,
Our hearts become the instruments
We learn to play so well.

So, wealthy the Spirit
That knows it’s own plight.
Stealthy the hunter
Who slays his own fright.
Blessed the traveler
Who journeys the length of the light.

That’s all of Nexus that I can remember without re-listening to it or looking up the lyrics.

And here’s the rest of it after looking up the lyrics:

Outside the pull of gravity
Beyond the spectral veil
Within our careful reasoning
We search to no avail
For the constant in the chaos
For the fulcrum in the void
Following a destiny
Our steps cannot avoid

Across the vein of night
There cuts a path of searing light
Burning like a beacon
On the edges of our sight
At the point of total darkness
And the lights divine divide
A soul can let its shadow
Stretch and land on either side

Wealthy the spirit
That knows its own flight
Stealthy the hunter
Who slays his own fright
Blessed the traveler
Who journeys the length of the light

In a spiral never-ending
Are we drawn towards the source
Spinning at the mercy
Of an unrelenting force
So we stare into the emptiness
And fall beneath the weight
Circling the Nexus in a
Fevered dance with fate —

Wealthy the spirit
That knows its own flight
Stealthy the hunter
Who slays his own fright
Blessed the traveler
Who journeys the length of the light.

Just delightful imagery in this song. It’s been a while, otherwise, I would have been able to remember the whole thing. My favorite thing about some of Dan’s older songs is that the further you go back, the more it’s written like poetry. Later, you get story songs and message songs, but my favorite stuff is generally the poetic stuff. Although, I have to say, I’ve memorized The Outlaw before, too. I can’t sign it though because Dan sings it SO fast. Great story song, though. For now, here’s Nexus:

The song starts with a full minute and 20 seconds of frantic but euphonous guitar, setting the background for when he sings over the same melody throughout the rest of the song. This song is a tongue twister, not just because of the clever wording but because it’s sung so quickly. Not that Dan makes it seem hard, the words just slip off his tongue. Having sung along to it about a billion times, I know how hard it is to keep up. There aren’t any long, drawn out words that give you a chance to remember what’s coming up next.

Dan kind of fetishized Native Americans a bit, and that influence shows up toward the end of the of the song. Before the final verse and chorus, some kind of Native American chanting underplays Dan’s singing and drums accompany the guitar. It’s got a nice effect, adds dimension to what would otherwise be only guitar. One of Dan’s strengths was composition, and the reason his songs don’t get boring to listen to is because he had an instinct for when a perfectly good melody needed to be switched up to enhance the lyrics, or just the listening experience. This is one of my favorite songs.